Correcting Nonsense about the Ancient Greco-Roman Past

It has been about 2.5 years since I first wrote "Why I Teach About Race and Ethnicity in the Classical World" for Eidolon.  The impetus for it was Donna Zuckerberg's article "How to Be a Good Classicist under a Bad Emperor," which called on classicists to teach more about the diversity of the ancient world. Like my colleagues Sydnor Roy, Denise McCoskey and Shelly Haley and others, I've been teaching iterations of this class for a long time. And, so I thought I would make a statement on why in order to encourage others to do it to. Also, of course, because teaching a class like this can be hard, Syd and I decided to make it easier on ourselves back in 2010 and publish the sourcebook in 2013--Race and Ethnicity in the Classical World: An Anthology of Sources. It isn't perfect and needs a second edition one of these days to add inscriptions, papyri, early Christian texts, focused material on immigration and enslavement. There is so much material on this topic from antiquity that it really is a life's work to track it all down. I've been gathering other people's syllabi for about two years now in order to make them available to others and to learn from how others teach their versions. And, because there is always more to learn, I am constantly changing my own syllabus.  

What follows is a reflection on the latest iteration of the class with student responses that functions as something of a revision of my Eidolon article and also as a response of sorts to the dangerous view of identity in antiquity and its modern appropriations represented in a recent review of books (screenshot of the opening paragraph--I am not linking to the site):

One of the goals of teaching race and ethnicity in the ancient world (as part of our larger courses and in stand alone classes) is to help disabuse people of these types of unserious and inaccurate positions. It is also to give students tools to identify and understand how such views are racist, orientalist, white supremacist and promote inaccuracies about both antiquity and the modern world in the service of ideology. Our success in the classroom can have impact down the road in making these sort of bad history takes less useful or common. So, here we go... 

**All materials from students used with permission.** 

I can only imagine that the true final project would have coalesced all of these aspects into one final performance on what we have learned throughout this semester. That is also what is so sad and disappointing about this semester, we never got to do everything that the course got to offer. I realize that it must be disappointing to have a plan for a semester and have it totally upended from some freak pandemic. Regardless, I really enjoyed the class and thought of it to be one of the more meaningful courses I have taken throughout my college experience so far. ~student comment

Let's start from reality. This class was not the class I intended it to be when the semester started. I had spent a lot of time this past year thinking about how I wanted to change the class based on the current cultural moment, on responses from the previous iteration, and based on my own shifting interests. So, I changed reading structure--instead of using scholarship on specific passages and text along with the ancient texts and then tagging on the reception of these ideas to the last 3-4 weeks of the term, I integrated the reception throughout and ordered Ibram X. Kendi's Stamped from the Beginning as the textbook we would read along side of the ancient sources. You can see that version of the syllabus (the one I gave out at the beginning of the term) here. I also planned a panel of classicists who work on various aspects of Classics Africana (or Black Classicisms) to come to campus and help us integrate the ancient material with the Kendi and with an exhibition at the Denison Museum called "Say it Loud". It included a performance of the Hype4Homer project. So awesome.  The panel happened, but 3 days later campus shut down. 

Obviously, the move to online teaching required some modifications to my syllabus. This involved reducing the length of readings, adding more visual content and restructuring the assignments. The revised syllabus for the last few weeks can be found here. What isn't visible on the new schedule is the targeted discussion questions on our Learning management System and the memes and audio recordings I asked students to do. The final project was originally for them to write an essay on the intersections between ancient and modern ideas of race and ethnicity and present it in a multimedia format (a program called Shorthand). Obviously, that was going to be rough, so instead I asked them to write a reflection of what they learned in the class and would take away with them to wherever they go in the future. For many students, this was and will be their only Classics course, so I was curious.

The plan for the semester was to integrate the discussion of modern receptions, adaptations, evolutions from, and uses of ancient ideas about race and ethnicity throughout, to help student see more jarringly the way ancient ideas moved into and were used in modern race constructs. Reading Tacitus' Germania and seeing the Nazi use of it at the same time is more impactful than reading it and then looking at Nazi receptions 4 weeks later.  Doing so, however, required that we begin the class with very clear definitions of what race and ethnicity are (or how we would use these terms in class). Students were very clear that the didn't have a definition of either (some had never really thought about ethnicity, for example), but knew that "race is a social construct"--whatever that meant. 

"The fact that race was introduced as “the institutionalization of prejudice and oppressions based on moving signifiers for human difference” because we need a different way to approach it when looking at it in ancient times really made sense. While we look at race as color and appearance now, color was used in a lot of different ways back then...For reasons like these it’s much more productive to view race as a technology that structures human interactions and manifests within institutions. The categorizations of race ideas found in Kendi—segregationist, assimilationist, and anti-racist—were also really significant, specifying two conflicting kinds of racism. But the argument from Kendi that resonated with me most was that racist ideas, hate, and ignorance stem from racial discrimination and policies instead of the other way around. This makes so much sense as I notice selfish motives, primarily money and status, being the actual causes of discriminatory policies not only throughout this class but throughout a lot of material from my other classes..."  ~student comment

"I remember the definitions we discussed on the first day and how we subsequently applied them to the ancient Greek sources dealing with origin myths. Based on these primary sources, I could see that today’s ethnic and racial classifications didn’t fit onto the ancient world as many people would think they did. The rubber really hit the road, so to speak, when comparing the identity discourses within the ancient sources to those that Kendi wrote about. It was clear that ideas of race and ethnicity from the late modern period, give or take, simultaneously incorporated ancient views and departed from them. The kernel of blackness in ancient descriptions of North African populations became exaggerated as the focal point for modern racist ideologies. Through this example and others, I could see that speaking of race and ethnicity in an ancient context requires an appreciation of these different paradigms." ~student comment

We started class with our working definitions and these would be the definitions we would use throughout the term. Importantly, I wanted them to understand that the terms 'race' and 'ethnicity' are not interchangeable, that theories like environmental determinism are not 'racial theories' unless that can be manifested in things like laws or political institutions and then form the basis for oppression (like the Athenian metic system or Spartan helots). As Kendi argues (rightly) racist policy creates racist ideas. By using Kendi and weaving him in throughout the course, student could see how ancient ideas came to be foundational to modern racist ideas. 

I think the class was successful in part because we had clear terms for engagement, I was very clear about why we needed to read the ancient and the modern together--in order to know how the modern world has (mis)used the ancient, they need to be laid side by side. It is unfair to ask students to infer connections that are often so embedded as 'reality' for them--prejudices, assumptions, 'nature'--without some sort of guidance or framework.  

This brings me to the silly book review screenshot above--the idea that a war in antiquity could be somehow the pivotal moment in the history of some imaginary 'western' world identity. So, what did my students learn this term? 

"In fact, just recently I was able to enlighten my younger sisters on where race came from while they were participating in a heated debate considering whether black people could be racist to whites. I overheard the conversation and put what I have learned in this course to the test. After conversing with my sisters I was proud of what I was able to accomplish and realized that this information will give me a step up when entering the workforce. Although preconceived notions and racist ideas may not always be on display, they are in the minds of the people around us and as a black man I am forced to think about that everyday." ~student comment

"I learned quite a bit in this class, especially about how residual some ideas are. I was shocked to read some passages about certain ethnic groups that could still be written today, and how destructive a mindset they could be. It was quite interesting to “track” these assumptions about people from their beginning in ancient times to the present, and see their true origins. My favorite class period was the one focused on the census, and tracking the evolution of racial categories from its inception in the early 1800s. Race has always been one of the biggest issues in America, and the world, so seeing how our ideas of who is who has changed, and how the need to categorize people definitively is so ingrained." ~student comment

"While I understood that racism built on foundations laid in the past centuries (or millennia) before taking this class, the examples I encountered highlighted its presence for me. Linking the caricatures of black people provided by everything from minstrel shows to Aunt Jemima and Uncle Ben products today to ancient (and sometimes fantastical) descriptions of specific African groups were helpful in this respect. Another aspect of this is the white European self-identification with ancient Greeks and Romans. 23andme and other such testing services seemed harmless to me a year ago. Even cool - using science to peer into your past. That’s part of their image used to market the product, of course. But based on this class and the various related lectures I attended, I can now see how easily they can be used to affirm a subjective image of someone’s identity." ~student comment

"This class also helped bring attention to the ways in which we as a culture glorify Greece and Rome a lot. It’s really important that we ask, “What is it about us that makes us want a group to be homogenous?” when countries not only today but since ancient times have actually been mixed entities with all different kinds of people within. The fact that being Greek can’t be seen just as being from the nation-state of Greece since they were essentially spread across the span of about three continents was something I’ve never thought about before." ~student comment

"The most important part of this class that I will carry with me is the connection between ancient viewpoints and the foundational beliefs of the United States. To think the education system of the United States was very recently based in ancient Latin and Greek. The reading of ancient philosophers was basic, foundational knowledge necessary to enter into a university. I know now that many of these texts also contain racist, classist, and sexist ideas. The fascination with classicism in the United States ties to our “founding fathers’” creation of a system of government that inherently benefitted straight, white men from the beginning. The mythos that the ancient Greek and Roman empires were white or even racially homogenized only contributes to the place these texts hold in white supremacy." ~student comment

The comments are like this from almost every student. They also say that they learned how to be better critical readers, to question their own assumptions and potential biases, and feel more confident analyzing primary materials. These are all things that are so important in the world we live in today. I am pretty sure all of my students would read that review and give it the big eye roll and F-you it deserves. 

But, it isn't just how we talk about readings and videos and whatnot. Who we give voice to for our classes matters. Bringing in Kendi changed the dynamics of the class and made students, especially the white students, confront some realities they didn't necessarily know or think mattered to them. Also, the panel I organized with my colleague Omedi Ochieng in Communication had more impact on some students than the entire rest of the class:

"This experience also had a big impact on me because, as a woman of color, it really meant a lot to me to see other people of color be passionate about and accumulate success in the classics field; it reaffirmed a message that Dr. Goldman gave the first day of my “Classical Drama” course, that the classics is not just for old, white men. I will always remember this experience for both personal and academic reasons..." ~student comment

After loving the classics for years and being told by their parents that they couldn't be a classics major, and feeling unsure why they even loved classics, to have this student say this meant more than anything else.

 

Classics really can be a classics for all, if we are willing to let go of its ties to whiteness and power, be open to the world beyond the canon, and invest efforts in "non-traditional" courses in translation that can reach more students and can really be transformative for them. None of the quotations in this post are from a classics major--80% of the student had never even taken a classics course before. And yet, it meant something to them and will change the way they engage with the world around them and how the classical appears in it. Teaching this class over the years, and this year most of all, has been transformative for me in so many ways, because it meant something to nearly every student in the class who took the journey with me.

Ancient Identities/Modern Politics

This is the final of three lectures I gave  between July 9-13, 2019 as the Onassis Lecturer at the CANE Summer Institute held at Brown University. The theme of the institute was "E Pluribus Unum".  The first lecture (on identities in the ancient Greek world) has been posted previously here. The second lecture (on Athenian anti-immigrant policies and ideas) has been posted previously here.

NOTE: there are parts of each lecture where I either did not script the text and refer to slides or simply ad libbed. As a result, in those locations, I will either post the slides or will link to previous posts that explain the point I was making. 

In the wake of the increased violence fueled by white supremacism over the last year alone, understanding the ways it underpins so much of our everyday lives and assumptions is important. And as classicists, we have played our part in popularizing, perpetuating, and embedding racism into the fabric of the US. This talk examines some of the ways we have done this, even when we don't intend to, by pointing out where those who intend it manage to make their own views the 'norm' or 'mainstream' or seemingly 'neutral'.

Over the last few lectures, I have tried to get us to think about what it meant to be ‘Greek’ in the ancient world and both the ways in which ‘Greekness’ allowed for a wide range of diversity in antiquity, but also how protecting those micro-identities led to policies and practices of discrimination based on prejudice. On the one hand, as an ancient historian, I am interested in trying to reconstruct the most accurate understanding of my subject of study. On the other hand, this matters to me--and should matter to all students of the ancient world--because there have been many modern political claims made upon ancient Greece in the name of modern identities. These modern identities frequently misrepresent-- sometimes unintentionally, but often intentionally--who the ancient Greeks were and what their connection to them may be.

What I want to talk about today as my closing lecture is some of those modern claims made on ancient identities.But, instead of focusing on the most extreme voices, my interest is in looking at those misrepresentations done by fellow academics or as part of mainstream culture.

In my first lecture and in other lectures by speakers and in classrooms at the Institute this week, we have looked at the ways in which the ancient world was a true plurality under the heading of thinking through the phrase e pluribus unum, from many one. We have, in most cases, treated this phrase as an ideal to which we as Americans can and should aspire. Remember our melting pot and salad bowl?

My own talks have discussed Greece from e pluribus plures to ex uno unum wondering what happened when ancient Athens rejected the plurality of Greekness and decided to emphasize and engineer its own exceptionalism. What I want to ask today is how these tensions between plures and unum have functioned in our own modern context and how the ancient world has been shaped by and used by those who would see classics as support for an Athenian-style rejection of the plurality that is our country and our world. We academic classicists have enabled and encouraged this in our own practices.

Enablers

In the shaping of the discipline that is Classics, we have repeatedly attempted to create an unum out of the variety and diversity that is antiquity, but our discipline has never truly embraced that variety and has instead restricted it. Under the heading of ‘classics’, our modern discipline has narrowed the ancient Mediterranean world to ‘Greek’ and ‘Roman’, constrained it in time between roughly 800 BCE-500 CE (but, who are we kidding, really 200 CE), and elevated Greek and Roman cultures to an alleged 'superiority' over Egyptian, Persian, Judaic, Arabian, Kushite, Indian, Chinese, Armenian, Scyth, and many others. Those peoples appear in our discipline but only as curiosities, as exoticisms, and only in so-called‘non-traditional’ courses and scholarship.

The discipline of classics has also traditionally compressed the varieties of identities, peoples, and cultures of the Greek and Roman worlds themselves under these names of 'Greece' and ‘Rome', limiting our teaching to primarily Athens and to the city of Rome or maybe Italy. It has always struck me how on the literature side, we narrow ‘Greece” from the broad representation of the Greek world found in the so-called ‘archaic’ authors to almost exclusively Athenian voices in our so called ‘classical’ canon and then dismiss much of the variety and vibrancy of what we call the 'Hellenistic' period. We also forget that these labels--Archaic, Classical, Hellenistic--come from judgements made by art historians on the development of sculpture and painting from Greece. They are evolutionary and value judgements--archaic is considered un(der)developed (though they tend to excise Homer as his own ‘period’), ‘classical’ is the best, 'hellenistic' derivative and only ‘Greek-like', impure.

When we apply this to time periods in the history of the ‘Greeks’, we pass value judgments on the world they inhabited--the archaic period was a ‘developing world’ where democracy and the polis were beginning their formation, the ‘classical’ was the polis and democracy supposedly in its purest and best form, while the hellenistc world--the most diverse, the most vibrantly mobile, and with the most literary and artistic experimentation--was deemed inferior, corrupt, impure, with democracy destroyed.

Decades after the so called ’canon wars’ of the 1980s and 1990s, those of us who want to teach and study the ancient world in its infinite variety find our scholarship still often labeled ‘fringe’ or not ‘mainstream’ because it values those texts and places and peoples and approaches that some of our colleagues aren’t familiar or comfortable with or consider 'real' classics (Emily Greenwood gave a wonderful talk on the harms of this at FIEC/CA 2019 and it will hopefully be published soon).

'Classics’ is the only academic discipline that contains a value judgment in its name. We study only the ‘best’ things. And we wonder why we struggle to become an inclusive field and why our colleagues outside of classics look at us sometimes with a bit of side eye.

But we shouldn’t wonder. Because along with only studying the ‘best’ things, classics had traditionally been a discipline that also touted that it only attracted the ‘best’ people and in fact that only ‘the best’ people could be classicists--I have heard my own colleagues at numerous institutions use this language and I ave watched them single out for attention only those whom they deemed 'worthy'. Small liberal arts college (SLAC) departments are some of the worst on this front--(my own department's language in the university catalogue is jarring and I can't do anything to change it at this stage)--where 'best' means mostly ‘white people’ (or white adjacent), and really, white upper-middle class people.

Classical Whiteness

It is a known fact that classics was used as a gatekeeper to higher education against black Americans after emancipation. It was stated unequivocally by numerous leaders in academia and politics well into the 20th century that the ‘black’ mind, like the woman’s, was unable to understand and attain mastery of the classics. DuBois’s life’s work as a classicist was intended in many ways to prove this a lie and he worked to promote classical education to his ‘talented 10th’ so that through this classical education they could gain access to university education and create a professional class to serve the black communities as doctors, lawyers, etc as it became clear after Reconstruction stalled that segregation and not integration was going to be the law of the land.

And yet, in this same period, a period known as ‘Redemption’, in which white southerners reclaimed their legislatures and local governments from black Americans who had made advances under Reconstruction, sought to take their segregationist ways nation wide. They used the classics and ‘the classical’ to help do this by forging a a strong visual link between the ‘classical’ and whiteness.

As Dr. Lyra Monteiro discusses in Ch 4 of her 2012 dissertation, the connection between classics and whiteness was forged early in the US. The use of classically inspired architecture on plantations built into the fabric of the land what were 'white' spaces and which weren't.

This technique of creating white built environments was continued and nationalized (more than it had already been before) through the use of classical architecture at the US World's Expos. The Chicago expo of 1893 was the most important of these. Here, the 'White City' (they weren't even subtle) of relentless neo-classical architecture was contrasted to the Midway housing 'exotic' concessions building and displays of imported and imitated 'foreignness'. I've written about this connection in more detail on my blog, but important to mention is not only the architecture, but also the connections forged between technology/industry with whiteness and the classical. And, importantly, the identification of the classical with modernity.

The juxtapositions in the World's Expos between the classically designed and referential world of Anglo-Europeans and everyone else (presented in stereotyping, 'exotic' side shows and caricatures) made the point that northern Europeans and the US owned the classical. The Nashville Parthenon replica, made for one such expo, links classicism explicitly with the Lost Cause of the Confederacy and whiteness. If the classical was the peak of ancient civilization, then the modern US was the peak of evolution. Although it is not a certainty, I am not the only person to wonder if the Sambo caricature isn't derived from or referencing the popular janiform representations of Africans from 5th century Athens.

 The forging of this link between classics and whiteness had consequences both within and without the discipline. Within the discipline, it led to the whitewashing of the ancient Greeks and Romans. They became, as our good friend Bernard Knox so proudly put it:

That the Greeks and Romans would not have any notion of 'whiteness' or even want to consider themselves 'white' (only women, people with diseases or those burned by cold were 'white'), this idea persists and has been a central core of classics since its inception as a discipline. It is a whitewashing of the ancient Mediterranean.

And as part of this whitewashing, not only did our ancient Greeks and Romans become themselves avatars of modern white supremacism, but the discipline itself dismissed as lesser than and irrelevant the interconnected cultures of the ancient Mediterranean and created the narrow field we know today, with its almost exclusive focus on the Greek and Latin languages and canon of select, ‘golden age’ texts.

More important than the loss to the discipline--something we can reverse and change by opening our minds and stretching ourselves out of our comfort zones, by committing to changing our teaching and disciplinary lenses--is the situation of classics as a ‘white’ discipline by positing Greece and Rome at the heart of and foundation of this thing we call ‘western civilization’ that is, for better or worse, a term used to mean white, elite, christian, civilization.

I am not going to go into this in detail--I’ve laid out the pre-WW2 data on this on my blog and if you are interested, please read Alastair Bonnet’s The Idea of the West from 2004. For Classics, the real period of development of this concept and its strong ties to classics takes place in the Cold War. At some point in the future, I will be writing my research up, but later this fall, I should have a guest post on the blog from a German scholar who is writing on the Russian engagement with the concept of ‘western civilization’--it will be quite interesting. I will point to now only as a segue into the next section of the talk to uses of this idea by contemporary politicians and, for better or worse, white nationalist terrorists that connect western civilization and the connection to Greece and Rome to a genetic or hereditary type of heritage. The Pharos website keeps a running tally of these uses.

This is a tricky connection--the idea being that there is something in our DNA that makes those of us of European descent the ‘true’ inheritors of Greek (and to a lesser extent Roman) civilizations. This idea has made its way into mainstream genetics publications and is leading is some ways to a re-emergence of scientific racism that we thought had been at least discredited by the scientific horrors of World War II.

One thing that has become clear in recent years is that there is a bit of an obsession with trying to identify 'who are the ancient Greeks' and to lay claim to direct descent from them. This isn't innocent as it was an obsession of the Nazis and other race scientists. When geneticists do it now, they are linking themselves to a long tradition of conflating culture with .1% of the human genome, with specific physical features, and with white supremacism.


THE ‘RACE’ DEBATE--aDNA to the RESCUE?

Geneticists have an obsession with ancient Greek DNA. Why not Rome? Maybe its because rome has always been viewed as a true cultural mosaic, which some see as a plus, but others see as a detriment, like those who still consider Tenney Frank's idea on 'race mixture' as the cause for the fall of the western Roman empire (which you can read more about here):

Of course, Frank and his theory cold not be tested back when he wrote his article and everyone, now assuming that the Romans are a ‘mongrel’ people, they aren’t really worth studying in order to find ‘pure’ peoples--which seems to be the goal of some (too many) geneticist. They keep searching for a time and place where they can find a ‘pure’ European or ‘pure’ African or ‘pure’ Asian DNA sequence. As even David Reich, perhaps the most well known geneticist working on aDNA, admits, there is no ‘pure’ DNA anywhere. It is all admixture. I’ll explain why this matters and why the Greeks matter here so much.

BACKGROUND: So, the Human Genome Project went from 1990-2003 and had the goal of mapping the entirety of human DNA through what are called nucleotides of which we all have over 3 billion within the haploid reference genome. The project could not sequence any individual because all individuals have unique combinations of genes, but they were able to make a composite map of all human DNA. With all humans having basically 99.9% of their genes in common (though with some variation in how much if any Neanderthal or Denisovian or whatnot might appear and in infinite combinations), scientists who are interested in trying to understand human physiological differences can focus in on trying to extract meaningful differences, but mostly, scientists have decided that what they want to understand is what the differences can help us make a distinction between someone whose ancestors are from Europe vs. those whose ancestors are from Africa, with a specific emphasis on hair texture and skin color And Greek ancient DNA is a key in many of these studies.

In 2017, a series of studies were published on the DNA of ‘Greeks’. One, perhaps the most well known, was led by Iosif Lazaridis, a geneticist at Harvard and focused on the aDNA of 19 skeletons found in mainland Greece, Crete, and Anatolia, and then compared them with DNA of 30 living Greeks. The lead author of the second study, George Stamatoyannopoulos, also participated in the first.


The Lazaridis study was published in Nature (one of the top journals) and written up in Science, an immensely popular science magazine, with the click-bait title “The Greeks really do have near-mythical origins, ancient DNA reveals”. The authors themselves were a bit more circumspect in their publication, but the Science popularization of the article played to the crowds:

The study emphasized continuities between the Mycenaeans, Minoans, and modern Greeks. The study was criticized by many archaeologists for its small sample size, lack of randomization and for its use of a ‘likelihood’ model of reconstruction when they were unable to get certain information from the samples. Importantly for us, they claim in the paper that they were expecting to find more variation in the genes than they did:

The continuity between the Mycenaeans and living people is “particularly striking given that the Aegean has been a crossroads of civilizations for thousands of years,” says co-author George Stamatoyannopoulos of the University of Washington in Seattle. (Science Aug. 2017).

They ‘expected’ to find more genetic variation, but by careful selection of samples and likelihood modeling, they were able to show it wasn’t. Hmmm.

I offered the study to my own students majoring in biology who were able to point out numerous flaws in the data, including the fact that the samples were carefully selected, they pre-determined what they were looking for and how they would classify it, the small sample size, and the fact that they ‘filled in’ according to their own models data that was unable to be extracted. They also could have done additional tests, like stable isotope analysis on the teeth to try to discover if they bodies they sampled were themselves potentially from the regions other than where they were excavated.

My friend and colleague Dimitri Nakassis, a bronze age archaeologist, wrote up on his own blog a response to this study where he questioned the methodology. Responses to his post and also to other posts of the article on the internet elicited something interesting, which gives us an idea of the political dimensions of such a study within a US context, particularly how such a study can be used to support white supremacism. In each of the responses, they honed in on the fact that, while the 11 bodies from Bronze Age Crete and the 4 bodies from Bronze Age Peloponnese shared almost 70% of the genetic markers they examined (not all of them), there was a range from 4-16% of ‘northern European DNA’ in the 4 bodies from the Peloponnese, while it was non-existent in the 11 Cretan bodies.

 To these white supremacists, this was evidence of the truth of the so-called Dorian Invasion and that the ‘Glory that was Greece’ and the Spartan military machine specifically was of ‘Aryan’ extraction.

The study seems to have been intended to show that modern Greeks were indeed descended from ancient Greeks and that Crete was also Greece. There are nationalistic reasons for wanting such data, but this study, at least, was coy about any such motivations.

The other study, led by Prof. Stamatoyannopoulos, is a bit different and is far more explicit. It’s stated goal is to prove statements by 19th century German historian Jakob Philipp Fallmerayer wrong when he claimed that modern Greeks were NOT descended from the ancient Greeks, but had been replaced by Armenians, Turks, and others in the Byzantine and Ottoman periods. I believe a direct quotation of Fallmeyer is something like “Not the slightest drop of undiluted Hellenic blood flows in the veins of the Christian population of present-day Greece.” Fallmeyer’s sentiment was accompanied by a conviction that northern Europeans were the true inheritors of the ‘Glory that was Greece’, something shared by later people like Madison Grant, author of The Passing of the Great Race, who posited ‘Nordic’ origins for all ancient ‘civilizations’ (Egypt, Persia, Greece, Rome, etc) which ended, he claimed because of miscegenation with non-Nordics. American eugenicists and the Nazis loved this idea.

So, here is the introduction to the study meant to disprove Falmeyer:

The citations for this introduction come from no scholarship dated after roughly the 1970s and the evidence for the Dorian invasion--yes--the Dorian invasion--is Herodotus. They have not read a single discussion by historians of it. In fact, historians are dismissed as ‘ideological’, while this study, with this framing is ‘objective’ SCIENCE. But look at the language.

As with many a historical myth about the origins of various Greek cultures, this one has a source in Herodotus and was an attempt by mostly German scholars (at first, it seems) to explain the changes in language from non-Hellenic to Hellenic. The mysterious Pelasgians appear as a 'native' substrate of possibly Anatolian origin (except the Athenians, who were indigenous but 'became Greek' by changing languages..maybe..Herodotus is a bit dodgy on this one), while the Dorians--those vigorously masculine Greeks best represented by the Spartans, as you can see from the map above--from a pre-Nazi text--those Dorians came from Germany!

The myth of the Dorian/Aryan/Nordic invasion begins, in many ways, as a failure of methodology, specifically, as a result of historical positivism. Historian Jonathan Hall once described historical positivism as a mode of seeing in "myths of ethnic origins a hazy and refracted recollection of genuine population movements" in the Bronze Age. Variants of these myths were "pathological aberrations from a 'real' historical memory" (Hall, Ethnic Identity in Greek Antiquity, 41). Unfortunately, these "pathological aberrations" became bound to ideological positions that became linked to political parties and movements and race science.

And now, they are being published as facts in top scientific journals by teams of geneticists who are dismissive of social sciences and humanities, who present their work as silver bullets to solve all the great mysteries of antiquity and who neither do their research, nor have large enough sample sizes to make the grand pronouncements they make.

Why does this matter to us as classicists? It matters because, as archaeologist Susanne Hakenbeck writes in a new article on archeogenetics, many of these studies, far from reading the data neutrally, instead use the data to affirm 19th century racist theories of northern migrations (like the Dorian invasion) as true events of population replacement--in other words, aDNA is being used to write histories that return to models anew that erroneously suggest that all Mediterranean civilizations are the products of European, typically northern European aggression. Even when the archaeology does not support this, SCIENCE is claiming to provide ‘objective’ evidence that ‘speaks for itself’ to support these racist narratives.

And this is exactly what is happening with these studies, which are being popularized so quickly and without context or nuance and which are being published by geneticists with their own political agendas and with no input from archaeologists and historians.  As Hakenbeck’s research shows, the far right nationalist groups, including neo-Nazi groups, are using these studies in their political campaigns and to promote hate and violence on their web platforms. Golden Dawn in Greece, while currently on the outs again in terms of political representation in parliament thanks to the recent election July 7 2019, uses these studies to fuel their own nationalist ends.

Perhaps closer to home, however, these studies are being used by scientists like David Reich to demonstrate mass migrations and replacement of populations through war and violence (something that a few dozen DNA samples simply cannot show). This fuels contemporary fears by white supremacist groups that such ‘replacements’ are real and that ‘race genocide’ is real.

Some of us work on college campuses where white nationalist groups have hung posters either to recruit new members or to impact campus climate an intimidate those who speak out against them.

If you recall anything about the reports of the Charlottesville raly from 2 years ago, the chant being uttered was “Jews will not replace us” and, in the above poster from Daily Stormer, the book ‘The Great Replacement’ is in the hands of the New Zealand killer--the book refers to a 1978 novel of the same name by a French nationalist and is a dystopian fiction about mass immigration of north Africans into France that literally overnight replaces the entire population. Now imagine this book being promoted during the current refugee crisis as not a work of fiction but as a prophecy for the disappearance of ‘white Europe’

And if we think that this is just fringe groups, remember our 'friend' Steve King, who has repeatedly retweeted white supremacists and Nazi sympathizers (and he is not the only one in our Congress who thinks this, just the only one who says it openly):

Another person who also adheres to these views is Victor Davis Hansen, who publishes them under a blog and then talks about them on a podcast called ‘The Classicist”. 

When you put all of these things together, you can see that aDNA studies of the Bronze Age that are searching for the ‘origins’ of the Greeks or other ancient groups in the Mediterranean aren’t innocent or objective. They are part of an ongoing political climate promoted by white supremacism and colonialism and are used to promote fear of diversity, fear of decline. And they are part of the long tradition of centering the classics and the Greeks as the foundation of a ‘white’ 'western’ and ‘christian’ civilization. They try to make that cultural heritage a GENETIC inheritance that only certain people are entitled to. They want to say that some people have 'civilization' in their DNA.

CONCLUSION

Our discipline was built to exclude. It continues to be used to craft and promote exclusions. I look around this room today and I see a sea of whiteness, just like we see at every conference and still too often in our classrooms. If we want to change that, we have to work for it--it won’t just happen on its own. And that means, making ourselves uncomfortable, studying and working to understand and mitigate our biases and prejudices busting open the canon, being creative in our pedagogies, taking chances with new types of evidence and methods, collaborating with our colleagues outside of our departments and programs, seeing our own teaching as continual opportunities for learning, analyzing the institutions we are part of and seeing where we can push back against the status quo, looking around our classrooms and conferences and not trying to figure out who the ‘real’ classicists are or may be, but truly embracing a ‘classics for all’ mentality and way of acting, and understanding that ‘classics’ doesn’t have to be an ex uno unum--it is and should be an e pluribus unum.

The Dorian Invasion and 'White' Ownership of Classical Greece?

I was speaking with a student last semester. She loves Classics, but she can't seem to get her parents to understand why. She's Indian and her family and family friends, she tells me, have asked her things like why she wants to give up her own culture and study someone else's. India, of course, has a long history with the ancient Greeks and Romans. Greeks even settled in parts of what was called India in antiquity (though are parts of various modern nations now). India appears in our Greek sources as early as Herodotus (and earlier is some fragmentary works), was an important players in the ancient trade networks that went through the Persian empire, and became part of Greek reality in the Hellenistic world as a major political and military player. The idea that the study of Classics is 'foreign' to a student from India more than the descendants of Celts and Germans and Norse people is weird. And one needs to wonder why (though we already know the answer: hint, it's racism).

I should not wonder why, however, as I (mistakenly) spent time today reading the comments on an article concerning the casting of a black man as Achilles in the new BBC Troy series, Troy: Fall of a City. Within the comments, all sorts of tales of genetics and descent are being thrown around--both for and against Europe or Africa as the originator of all races, the place of 'whites' vs. 'blacks' in Egypt (with the subset of Cleopatra as Greek, Arab, or black African), whether Neanderthals are part of this conversation or not, and then the "just because we come from Africa doesn't mean we are black" divisioning between sub-Saharan and north African. And then we get fun comments like (all screen grabs of comments are from the article on black Achilles unless otherwise noted):

I'm white. And yet, I have certainly not felt over the 25 years during which I have studied and worked to become a Classics professor that Classics and 'everything' came from me or belonged to me. I'm from a small town near Akron, Ohio in the middle of the US and then moved to San Diego, CA. I'm a first gen college student. Most of my family have no idea what I actually do. They certainly don't spend all that much time thinking about ancient Greece and Rome and their ownership of it in an unbroken line of descent. How can this field 'belong' to me? It doesn't. Or so I thought...

Turns out, I was wrong! I am pretty much solid German on my mom's side (she was the first generation of her family in the US to marry a non-German dating back to before the Revolutionary War) and, it so happens that, according to the Nazis and their Romantic-Nationalist predecessors and many a neo-Nazi today, THAT MAKES ME DORIAN GREEK!

In other words, it's time to talk about the myth of the so-called "Dorian Invasion" and the myth of an Aryan Ancient Greece.

H/T http://www.ars-longa.sitew.com/Le_mythe_de_l_Aryen.B.htm#Le_mythe_de_l_Aryen.B for the map.

As with many a historical myth about the origins of various Greek cultures, this one has a source in Herodotus and was an attempt by mostly German scholars (at first, it seems) to explain the changes in language from non-Hellenic to Hellenic. The mysterious Pelasgians appear as a 'native' substrate of possibly Anatolian origin (except the Athenians, who were indigenous but 'became Greek' by changing languages..maybe..Herodotus is a bit dodgy on this one), while the Dorians--those vigorously masculine Greeks best represented by the Spartans, as you can see from the map above--from a Nazi textbook--those Dorians came from Germany!

The myth of the Dorian/Aryan/Nordic invasion begins, in many ways, as a failure of methodology, specifically, as a result of historical positivism. Historian Jonathan Hall once described historical positivism as a mode of seeing in "myths of ethnic origins a hazy and refracted recollection of genuine population movements" in the Bronze Age. Variants of these myths were "pathological aberrations from a 'real' historical memory" (Hall, Ethnic Identity in Greek Antiquity, 41). Unfortunately, these "pathological aberrations" became bound to ideological positions that became linked to political parties and movements and race science.

As one can read all about in my new favorite book Brill's Companion to the Classics and Fascist Italy and Nazi Germany (the chapters by Wiedemann and Whyte specifically) or (going back pre-Nazi) in Helen Roche's Sparta’s German Children, Hitler and many a German firmly believed that Spartans/Dorians and Germans were one people and that the martial valor and glory of Greece was the result of Germans invading Greece and establishing a civilization. They, the modern Germans, were then both the progenitors of ancient Greek civilization and its heirs. And they, as Tacitus explained to them, were a pure people. Their Blut und Boden  ideology explained both who they were and why they were born to be conquerors.

I've even read 19th century texts that suggest that some German scientists and anthropologists explained the fall of ancient Greek civilization by the deterioration of Germans too long from their proper climate--the heat of Greece enervated them over time, making the rise of a new Greece in Germany the only solution. Hitler certainly saw it that way as did many of his predecessors, like Karl Otfried Müller. Whatever other flaws there may be in Martin Bernal's Black Athena, pointing out the long trail of classical philologists and historians invested in a northern European invasion as the only possible explanation for the development of an advanced civilization in southern Europe was not wrong. The Aryan/Dorian (later Nordic) invasion was used to explain not only ancient Greek civilizations, but also those throughout Asia and even north Africa.

How long did historians and archaeologist struggle to fit the evidence into a narrative of a Dorian invasion? This great article from 1978 laying out the evidence debunking the invasion myth gives you a clue. And yet, even while scholars have moved on, the general population has not. And the recourse this public makes to genetics is complicating the issue. While there is quite a bit of good work being done in the realm of genetics, popularizing articles in magazines like Science and  National Geographic make it seem like we have hundreds upon hundreds of solid samples to test from, resulting in "new" discoveries every few months in the origins of genes for "whiteness" or "blackness" or homo sapiens vs. Neanderthals, etc.

Typically, however, we have only a few samples and studies of the sort that discovered "The Greeks really do have near-mythical origins, ancient DNA reveals" suffer from numerous flaws in the data (small sample sizes, assumptions about migration patterns, comparisons only with modern populations, choosing not to randomize samples) and give the general population a sense of certainty where there is none. The results are comments like:

This is a comment on Dimitri Nakassis' blog post about the Science article. The commentator and his predecessor "Double Helix" view the result of a 4-16% admixture of "northern" DNA possible for the samples labeled Mycenaean as DNA proof, to the commentator and others, of the Dorian/Aryan/Nordic reality of ancient Greece.  The longevity of this myth that all southern European, north African, and Eastern/Central Asian civilizations were the result of northern invaders is real, even if it is now playing out in the realm of pseudo-science. Whatever someone wants to believe, they will find evidence or skew evidence to support it because that's how ideology works.

But the Aryan/Dorian/Nordic myth does real harm if Classicists and ancient historians don't challenge it and do it regularly. It excludes people from our discipline whose history it is just as much as it is anyone's (more so in some cases) by allowing one small group of people--'white' people--to lay claim to it. It also puts a value on whiteness that encourages adoption of 'whiteness' as a way of viewing and moving in the world by those peoples who may have been excluded in the past--like  Greeks or Latino people, who are increasingly identifying as white while simultaneously developing virulent strains of white supremacy of their own. We see valuation on whiteness lead some individuals (like N. Taleb) to reject and work tirelessly to argue away cultural heritage and connections to a non-northern European past.

In the end, the lingering myth of a Aryan invasion in the popular imagination, though now grounded in different 'evidence',  perpetuates the whiteness of our field, continues to send a message that Classical Greece 'belongs' to northern Europe, and, perhaps the worst thing of all, seems to have made some corners of the internet nostalgic for the 2004 Troy movie and Brad Pitt as Achilles. What can we do when theories long debunked continue to prosper and cause harm? In addition to trying to make our research accessible to the broader public, I say we enjoy the new Achilles.

Blood and Soil from Antiquity to Charlottesville: A Short Primer

In the recent white supremacist gathering in Charlottesville, chants of "Blood and Soil" were heard coming from some members of the marchers of a tiki torch procession. This chant was interspersed with chants of "You will not replace us." When I read about this, I was stuck by the irony of a group of white supremacists--all of whose ancestors are not native to this soil--would be chanting about being autochthonous. I mean, the whole point of the two groups that most closely identify with the Blood and Soil language (in their web presences and poster/flyer campaigns), Identity Europa and Vanguard America is the emphasis on their European (not American) descent. They aren't even trying to claim to be indigenous to the US, and yet are invoking an ideology that is explicitly about being native to one's land and thereby a part of it. 

If you are confused, that's ok. It doesn't make much sense at first. But what these supremacists are appealing to when they chant or put up posters or name their websites "Blood and Soil"  is meant to align them with and appropriate for themselves an ideological position that links them both to the Nazi tradition in Germany and to Classical Athens, whose imagery and ideas they sometimes use in their advertisements.

Let's start at the beginning...What is "Blood and Soil"? Blood and Soil, or Blut und Boden, was an ideology that focused on two aspects of German identity--genealogy/descent and territory/land. Although most closely associated with the Nazis, it actually preceded them in Germany and has clear roots in the 19th century German Romantic nationalism and racialism, but it picked up adherents after WWI.

BLOOD: The term Volksdeutsche, supposedly coined by Hitler himself, encompassed all who were German of "race" or, as we would say today, ethnicity, as opposed to citizenship. The idea was that there were Germans by descent who lived both within and outside Germany, most notably in territories further east to which Germans had migrated in the preceding centuries. Some of these territories had belonged to Imperial Germany and been lost with the Versailles Treaty following World War I. Others had been part of the Habsburg Empire (which had been dominated politically by ethnic Germans); yet others never been part of a German state..  The Nazis, as historian Lisa Heineman notes,“joined the majority of Germans who were not only frustrated with the post-World War I settlement but who also felt the ‘small German’ solution of 1871 was inconsistent with ideals of national self-determination – ideals that were now endorsed by no less than Woodrow Wilson--the German state created in 1871 had not included the German portions of the Habsburg Empire.” 

Like many nationalists before them, National Socialists wanted all Germans to be united as part of the new Reich, a  perfect union of ethnic nationhood and state formation. Embedded within the idea was not just a unity of blood, but also a superiority of blood, an idea that German blood was purer than other blood. Where might Hitler and the earlier Blood and Soil adherents have gotten the idea that German blood was so wonderful? Sadly, a key source was probably the Roman author Tacitus, who, in his zeal to moralize about Rome's own decline under the emperor Domitian, maybe played up German isolation a bit too much.

Tacitus (58-120 CE) once wrote a book called Germania. This book, part of a long ethnographic tradition among the ancient Greeks and Romans, presents the German peoples to a Roman audience. The Germans had been a bit of a thorn in the side of Rome for a couple of centuries at the time he wrote about them, though it seems that both he and other Roman authors also admired the Germans. They were represented as both uncivilized and idealized--a true "noble savage," uncorrupted by the debaucheries of Rome. 

The key passage comes fairly early on (Germ. 2):

I believe that the Germans themselves are indigenous (indigenas) and the immigration and receiving of other peoples (gentium) has resulted in very little mixing, because, in earlier times, people who were seeking to change their homes came not by land, but by ships. The Ocean beyond them is immense, as I would say, on the opposite side and is rarely approached by ships from our world. Moreover, not even considering the danger or the rough and unknown sea, who would leave Asia or Africa or Italy behind and seek Germany, which is wild in lands, harsh in climate, and unpleasant in habitation and in aspect, except if it was your homeland?  

You have to wonder if Tacitus, knowing how this paragraph would be used centuries later, would have considered changing it or deleting it altogether. Alas, the paragraph is there and from the re-discovery of the Germania in the Renaissance until now, Tacitus' comment on the indigenous and pure status of the German peoples and their connection to their homeland has wreaked havoc on history.

According to classicist Christopher Krebs, this book, once called by the historian Arnold Momogliano a "most dangerous book" and by the Nazis their "little golden book," informed their attitudes towards other Germans, towards those with disabilities, and towards foreigners in Germany--especially Jews.  Real Germans, pure Germans were (Tac. Germ. 4):

...infected by no marriages with other nations and exist as an individual and pure race which is similar only to itself. It is because of this that the build of their bodies is the same in all the people, even though the population is so large. They have fierce blue eyes, red hair (rutilae comae), huge bodies, and they are strong only on impulse.  

The Nazis would ensure that this is how Germans would look again (with a little "Aryan" twist--with blond hair instead of red--perhaps all those white marble sculptures fetishized by 19th century Germans encouraged them). Nazi policy called for the enforcement of racial boundaries, of a purification of stock, of a weeding of the less perfect and impure. They had to be removed from German land, eradicated.

SOIL: One of the things you may have noticed in the Tacitus quoted above is the connection Tacitus makes between the Germans and their homeland--it is a climate and landscape only a native could love. This isn't the only reference to the connection between Germans and their land. According to Tacitus, and in line with environmental determinism theories of the times, the land made the ancient German able "to endure hunger and cold" (Tac. Germ. 4).  

Tacitus flatters the Germans by pointing out their purity and relationship with the land, which enables it. For the Germans, there was also the appeal of classical Athens, whose sculpture specifically was idealized, most obviously demonstrated in Leni Riefenstahl’s Olympia. The long tradition of Classical Athens as an ideal in German Romanticism has been well-documented. But how deep did it go?

The Athenians promoted the idea that they were autochthonous, which translates as "indigenous" or "born of the earth," and passed laws aimed at ensuring that only those who were of "pure" Athenian birth would benefit from Athens' wealth and power. I've detailed in an article in Eidolon how the Athenians' obsession with their own purity manifested in practice and civic ideology. The ancient Athenians provided modern Germans with mechanisms and an ideology that would allow them to fortify and preserve the purity Tacitus sanctioned for them. 

The "Soil" portion of Nazi ideology of Blood and Soil was not just about the German homeland as a source of German strength and racial integrity. It was also an ideal way of life,  that sat in opposition to cosmopolitanism--another opposition adopted by neo-Nazi's and their sympathizers, and underscored policies of colonization outside Germany. Blut und Boden (an idea that, again, preceded the Nazis in Germany) was a German-specific type of environmental determinism premised on the notion that Germans were superior and other  peoples were inferior, in part because of their ties to their land--because of the relationship between the German people and their homeland (the "Soil"). Again, as Heineman comments, “The Germans’ mystical, and deeply virtuous, connection to the land contrasted with the rootlessness of those who had no such ties, notably diasporic and cosmopolitan Jews. Nevertheless, this ideology allowed for settler colonialism, or the implantation of Germans in soil to which they did not have a historically deep connection. As the German population expanded, it would need more Lebensraum, or living space. Otherwise the Volk might be compelled to curtail childbearing and lose its Darwinistic battle with other 'races'.” Since the point was to expand the ethnically German population, not to extend German power over other “nations” (for example to exploit labor and extract resources), inhabitants of conquered lands would have to be removed and replaced by German settlers.

Another component of this policy was a focus of the German "peasant" population--farmers and freeholders in the countryside were considered more German than those infected with urbanity and cosmopolitanism. Cosmopolitanism allowed for the "Germanizing" of foreigners (and of course threatened the “Judaization” of Germans), Lebensraum did not. We see hints of this in interpretations of ancient Athenian valorization of the hoplite as a citizen soldier who transitions from farmer to fighter, whose tie to the soil means he will fight that much harder for it. This "hoplite ideology" has a long history of being represented as a citizen ideal and as a mark of  the "traditional values" that allowed the Greeks (Athenians included) to enact the "Greek miracle." In this way, too, German Romantic Nationalism's elevation of  Classical Athens set the stage for Nazi policies that acted upon the racist fixation on the intersection between purity of descent (Blood) and the homeland (Soil).

***

After this little trip down knowledge lane, we can see why it might be confusing to have a bunch of Americans marching around chanting "Blood and Soil" for a land they aren't indigenous to. But, the idea of Lebensraum and the Athenian concept of autochthony both came with hefty doses of superiority complexes that manifested in imperial ambitions that allowed for the Blood to become more important than the Soil, and so allowed for those of the right Blood to assimilate the Soil of others. 

The idea that this is exclusively Athenian or Nazi, however, is mistaken. The Nazi ideology was built upon a century or more of idealization of Athens by the German Romantics and, this idealization was not unique to Germany. Wherever Athens was held in esteem and a central component of elite education, ideas of "Manifest Destiny" exist. For these contemporary white supremacists, Manifest Destiny happened and it happened at the expense of "white, European blood," blood that "soaked" the soil. That makes this land, in their twisted worldview, "theirs"--but only if one ignores all the African-American, Chinese, Mexican, Native American, or other of non-European descent whose blood was spilled in equal or larger amounts to make America what it has become. 

And that is where the irony comes in--for years they have believed in this fantasy, a fantasy promoted in our high school textbooks and TV and movies, that only "white" Americans participated in the building of our country. A fantasy crafted through the erasure of the contributions and oppressions of the participants in our nation's history who were not of European descent. As that narrative is increasingly revealed as the lie it is, they cry "revisionism" and "changing history." But it is the correcting of a lie, a lie that some people have been raised to believe is true--like the Tooth Fairy, only far more insidious. Blood and Soil and Confederate monuments are myths, so it's just a wee bit ironic that they march under their banners as if they were true.

UPDATE: after Charlottesville, American Vanguard split into two different organizations.  The bloodandsoil.org website now belongs to Patriot Front whose manifesto begins:

Many thanks to Lisa Heineman for fact-checking my German history.

Further Reading:

Krebs, C. A Most Dangerous Book: Tacitus’s Germania from the Roman Empire to the Third Reich. New York: W. W. Norton, 2011.

Krebs, C. “A dangerous book: the reception of Tacitus’ Germania.” In The Cambridge Companion to Tacitus, edited by A. Woodman, 280-99. Cambridge: Cambridge University Press, 2009. 

Translations from: KRG = Kennedy, RF, CS Roy, and ML Goldman Race and Ethnicity in the Classical World: An Anthology of Primary Sources. Indianapolis: Hackett. 2013.